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Performance in Festival of New Trumpet Music

August 14, 2019

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JOHN RAYMOND’S REAL FEELS/SAMANTHA BOSHNACK’S SEISMIC BELT
Monday, Sep 9
7:30 pm – 11:30 pm
Cost: $15
The Jazz Gallery
1160 Broadway
New York, NY 10001United States
More information

The Festival of New Trumpet Music — a grassroots nonprofit project run by and for a community of trumpeters — supports new trumpet music in all forms.

FONT Music aims to provide a platform for emerging artists and creative pioneers, with the goal of celebrating the diversity and excellence of contemporary brass music.

Directed since 2003 by trumpeter and composer Dave Douglas, FONT Music is overseen by an all-volunteer board that includes some of the finest brass players on the scene.
http://fontmusic.org/event/20190909/

SAMANTHA BOSHNACK’S SEISMIC BELT

Samantha Boshnack (tp), Chris Credit (ts/bs), Jessica Pavone (vn/va), Sarah Bernstein (vn), Kai Ono (p), Lisa Hoppe (b), Jacob Shandling (dr)

Samantha Boshnack’s Seismic Belt performs music about the Ring of Fire, which is located on the rim of the Pacific Ocean. The area is home to many of the world’s volcanoes and earthquakes. Boshnack’s compositions experiment with the friction of geographic shifts to create a new harmonic topography. This music examines our relationship with the Earth, including the elements of risk and faith in that uneasy cohabitation. Movements of the work draw on influences from some of the cultures and people living on the Ring, including Chile, Japan, Alaska, Western Samoa, and Russia.

In 2018, Boshnack was awarded the annual Make Jazz Fellowship.  This award is sponsored by the Herb Alpert Foundation to honor and support promising, emerging jazz composers. For the fellowship, Boshnack was in residence at 18th Street Arts Center in LA for three months.  While there, she composed this 8-movement work for trumpet/flugelhorn, baritone/tenor saxophones, violin, violin/viola, piano, upright bass, drums.  The culminating performance was released as Live in Santa Monica, on Orenda Records in March 2019.

 

Samantha Boshnack’s Seismic Belt “Live In Santa Monica” is released!

April 2, 2019


New album out on Orenda Records!  Order today on CDbaby,  Amazon  or Apple Music.

Seismic Belt Press Release

What the press is saying:

“She carefully avoids mere aural representations here, instead using meticulously crafted post-bop composition to contemplate destruction from an artistic remove. To help summon the desired textures for each composition here, she constellated a new ensemble to cover the distance that lies between her avant-garde quintet and her large symphonic group, B’shnorkestra: a standard rhythm section brightened with horns and tempered with strings. The ensemble finesses Boshnak’s experimental motifs, subtle Latin grooves and contrasting temperatures fluently, even during sudden changes in compositional direction. At times, the group synergy is so disarmingly serene that it’s easy to miss the fire burning underneath.”- Suzanne Lorge/Downbeat Read More

“….What Boshnack and her nimble band of tenor and baritone saxophones, violin, viola, double bass, and drums expertly sculpt is a harmonious sound world that is bucolic yet turbulent. Informed by traditional jazz stylings but with free-improvisational underpinnings, they immediately establish themselves as a well-oiled unit marked by tremendous interplay on the stately 10-minute opening track, “Subduction Zone,” which sets the mood for the program.  Boshnack leads the fray, gliding and darting atop the loose-limbed structures with elegant lines that recall her childhood heroes Chet Baker and Miles Davis. But while she dazzles as both leader and trumpet wunderkind, it’s the rapport she shares with the group that’s most worthy of attention. Plenty of space is given to her bandmates to shine, and each takes star-making turns throughout the set. Seismic Belt may not deal in volcanic force, but it hurtles from jazz to classical to chamber music with aplomb.” – Brad Cohen/Jazz Times Read More

“Boshnack’s melodic and adventuresome song structures play off of a compact yet texturally diversified ensemble sound, lent a chamber-esque ambience by the fine violinist-violist Lauren Elizabeth Baba and violinist Paris Hurley.” – Josef Woodard/Jazziz Read More

“Boshnack’s complex, episodic style of composition is a great fit for the equally complex and episodic subject matter, which she crafted into a whole set of works themed on this terrestrial phenomenon…. A Samantha Boshnack project is always an ambitious project. This time, she takes her ambitions to the next level and then puts it all on the line with a new band in front of a live audience. No sweat.”  – S. Victor Aaron/ Something Else! Reviews Read More

“With Boshnack at her cinematic best, Seismic Belt’s Compositions and performances present the musical equivalent of a camera zooming in and out, panning from side to side, and moving from slow-to fast-motion to reveal a volatile molten landscape from all angles.” – Karl Helander/Chamber Music America Read Full Boshnack Profile on page 12

“There have been a countless number of recorded tributes in the jazz world through the decades, but it is fair to say that this one is quite unique. Trumpeter Samantha Boshnack composed eight originals dedicated to the Ring Of Fire, the area in the Pacific Ocean where most of the world’s volcanoes are located and the majority of the earthquakes take place.  While one might expect this picturesque music to be unremittingly intense and explosive, Ms. Boshnack explores a variety of moods, some of which are unsettlingly quiet. The trumpeter is joined by Ryan Parrish on tenor and baritone, pianist-keyboardist Paul Cornish, bassist Nashir Janmohamed, drummer Dan Schnelle, and both Paris Hurley and Lauren Elizabeth Baba on violins (with Baba doubling on viola). On such numbers as “Subduction Zone,” “Tectonic Plates,” “Submarine Volcano” and “Summer That Never Came,” Boshnack’s arrangements and frameworks are quite impressionistic and a bit cinematic, almost a bit like Maria Schneider’s music except that she utilizes a much smaller group. The horns and violins have their spots, creating improvisations that fit the music and blending together beautifully in the ensembles, serving the music rather than being featured on individual heroics. This unusual set is worth several listens.” – Scott Yanow/LA Jazz Scene

“The music of ‘Seismic Belt’ is generously playful and adventurous. Each piece has multiple elements of styles from varied early jazz, lots of swing, a wide scope of dynamics, boundary jumping measures, and incredible dexterity (both mentally and physically). The entire event is first class throughout. The complex rhythms keep you on the edge of your seat and demands attention to that marvelous mind you have. This is big band done in a premium way, sometimes kiting all over the stage, only pausing for the occasional intimate trumpet solo, so soothing to the soul, or a quick side step for stand up bass, violin and quiet drumkit to make entrance for more peppy syncopated orchestration. It sounds like a perfect collision of her B’shnorkestra (her other larger ensembles of 14 members), and her Sam Boshnack Quintet, both having multiple ingredients, but the mixture is large scale orchestrated and then small details magnified among the majestic.
In the show, there are so many great jazz and classical composers that you may be reminded of (too many to list in fact), with some truly wonderful string arrangements, but nothing overshadows the astonishing style blend that Samantha Boshnack has created here. Her ‘Seismic Belt’ is among the best avant-garde bands I have ever heard”. – Lee Henderson/Big Beautiful Noise Read more

“Trumpeter and more importantly, composer (although she’s a fine trumpeter!) Sam is one of my very favorite up ‘n’ comers and if you haven’t already experienced her uniformly great body of work, this is a great place to start!” Steve Feigenbaum/ Wayside Music

“Boshnack skillfully weaves melodies, improvised solos, and pulses of varying intensity to express arcs, plate movements, and explosive volcanic activity. Seismic Belt has many jagged edges, abrupt explosions of improvisation, angular melodic passages, and uneven endings….  The musical expression of seismic activity demonstrates aptly Boshnack’s courageous nature as an artist. While most art springs from the well of human emotion and experience, Seismic Belt largely expresses the volatility and movement of the very earth we walk upon.” – Paul Rauch/Earshot Jazz Read more

“In which we find the answer to the question: can you win an award from Herb Alpert and turn around and make a record that Carla Bley would have been proud to release on Watt 40 years ago? This record answers both questions at once with a big yes. Displacing Rickie Lee Jones as a girl at her volcano, Boshnack’s fascination with volcanoes is the inspirational driving wheel behind this release so much so that you think you can hear the magma fermenting as you listen to this. Gleefully but seriously coloring outside the lines, progressive jazz fans will not go wrong taking a byte out of this. Well done.” – Chris Spector/ Midwest Record

“A fixture of Seattle’s prolific jazz community, Samantha Boshnack is both an agile, expressive trumpet player and a wily, far-reaching composer….  These songs tend toward a feeling of refined and respectful experimentation, and, perhaps owing to the musicians’ innate curiosity, occasionally veer into incendiary soloing. The work was inspired by the indigenous cultures and mercurial geology of the Ring of Fire, that Pacific Ocean-aligned zone of volcanoes and earthquakes that Boshnack says is “where the excitement begins.” –Jonathan Zwickel/Crosscut

“The leader shows herself to be a compelling and assured player as she navigates pathways through the at times intricate design of a given piece. With many settings in the seven- to ten-minute range, the musicians are able to let their solos develop organically without having to end them abruptly. Boshnack takes her share but also grants spotlights generously….  That she approached the project with such seriousness of purpose highlights one thing of many that makes this trumpeter and composer deserving of the attention she’s received.”  – textura Read More

credits

released March 15, 2019

Samantha Boshnack – Trumpet, Flugelhorn; Compositions
Ryan Parrish – Tenor and Baritone Saxophones
Paris Hurley – Violin
Lauren Elizabeth Baba – Viola & Violin
Paul Cornish – Piano
Nashir Janmohamed – Double Bass
Dan Schnelle – Drums

Commissioned and premiered at 18th Street Arts Center, California

Recorded at Crossroads School for the Arts and Sciences, Roth Hall, Santa Monica, CA, on April 13, 2018

Daniel Jimenez Afanador – Recording Engineer, Live Engineer
Harry Rabin – Assistant Engineer
Jacob Walker – Assistant Engineer
Mixed by Evan Schiller at zulusound, Seattle, WA
Mastered by Ed Brooks at Resonant Mastering, Seattle, WA

Cover Image: The sun illuminates ash from the Calbuco volcano in Chile on April 22, 2015, © Alex Vidal Brecas

Album design by Anne Mathews

Special thanks to Stella Rossi, Mark Boshnack, Daniel Rosenboom, Chris Credit, the Herb Alpert Foundation, the fabulous folks at 18th Street Arts Center, and the incredible musicians who leapt into the fire with me.

All music composed by Samantha Boshnack
© Shnack Music, ASCAP

ORENDA RECORDS 0059
www.orendarecords.com

SEISMIC NEW COMPOSITIONS UNVEILED AT EARSHOT JAZZ FESTIVAL

September 15, 2018

Earshot Jazz Festival presents the hometown premiere of Seattle-based composer & trumpeter Samantha Boshnack’s “Seismic Belt.”

poster low res seismic belt

Samantha Boshnack: Seismic Belt
Friday October 12, 7:30pm 
The Royal Room, 5000 Rainier Ave S., Seattle
$20 adults, $18 Earshot members and seniors, $10 students and military.
This eight-movement work is an exploration of seismic activity along the Ring of Fire through musical composition, experimenting with the friction of geographic shifts to create a new harmonic topography.  The music examines our relationship with the earth we live on, and the element of risk and faith in that uneasy cohabitation. Movements of the work draw on influences and stories from some of the cultures and people living on the Ring in places such as Chile, Japan, Alaska, Western Samoa, and Russia.

Boshnack wrote “Seismic Belt” during a 3-month residency at 18th Street Arts Center earlier this year, through their annual Make Jazz Fellowship in Los Angeles. This award is sponsored by the Herb Alpert Foundation to support promising, emerging composers.  Boshnack debuted the music in two concerts in LA with an all-star band she assembled. This Earshot Festival performance of “Seismic Belt” features an incredible line-up of Seattle musicians joined by one special guest from her Los Angeles band – Lauren Elizabeth Babaon violin & viola.  Pianist Alex Chadsey has been a mainstay of Boshnack’s projects, as has drummer Max Wood and tenor and baritone saxophonist Chris Credit. Troy Shiefelbein joins on upright bass, and violinist Begin Scarseth rounds out the string section with Baba.  This unusual instrumentation brings together elements of her previous ensembles: she combines her love of string writing (as evidenced in B’shnorkestra) with a piano-driven rhythm section (from Sam Boshnack Quintet) and horn-heavy melodies (in Reptet).

Photos by Emma Wang, courtesy of 18th Street Arts Center.

Boshnack’s love of hiking the peaks of the Pacific Northwest, combined with travels to other areas located on the Ring sparked her fascination with volcanoes, and the cultures that surround them.  As with her other recent projects, this work leads the listener into a storied landscape projected as musical narrative. In 2017, she released “Nellie Bly Project” which illustrated the 19th-century daredevil/feminist/journalist’s heroic life.  In 2016, her desire to celebrate individual expression and virtuosity of musicians outside of Western classical music prompted her to compose “Global Concertos” – which explored the sounds of five continents, performed with a representative musical ambassador from each.

Watch video about “Seismic Belt” and Make Jazz Fellowship – https://vimeo.com/270227399 (password is firejazz).

Samantha Boshnack’s Seismic Belt Live in Santa Monica will be released in March 2019 on Orenda Records!

Global Concertos CD Release!

November 18, 2016

We are thrilled to announce the release of our second album – Global Concertos.

This recording was recorded live on May 9, 2015 by Tom Fallat and Paurl Walsh, mixed by Evan Schiller and mastered by Ed Brooks.

You can now purchase the CD on cdbabyAmazon iTunes and Bandcamp

B’shnorkestra has been nominated for both Album of the Year (for Global Concertos) and Acoustic Jazz Ensemble in Earshot’s Golden Ear Awards.  These awards recognize the accomplishments of Seattle jazz artists over the previous year.  Winners are determined through a voting process.  CLICK HERE TO VOTE

“Under the direction of Joshua Kohl, B’shnorkestra provides both compositional brilliance, and improvisational latitude… notions of freedom and spiritual unity are beautifully expressed by Boshnack’s modal transitions providing a musical landscape not “fragmented” by cultural bias.” – Paul Rauch/All of About Jazz.  Read More

“A sense of boundless – and borderless – creative improvisation infuses Boshnack’s cinematic compositions; her musical feat cannot be overlooked or overplayed.” – Halynn Blanchard/Earshot Jazz – Read More

“What you will find and hear in these five extended original compositions (from live performances, by the way) is a well-formed and well-thought out set of modern “chamber music”… but, it’s not boring, or plodding, or any of those terms that are often associated with the genre…. It was the wonderfully upbeat “Concerto for Talking Drum” that got my vote for personal favorite… you will hear Gypsy caravans, Hollywood horns and some of the most energetic up-front percussion that’s ever been recorded.  I give Samantha and her “B’shnorkestra” a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99.”  – Dick Metcalf/Improvijazzation – Read More

Global Concertos is five Boshnack compositions, each showcasing a guest soloist’s instrument and tradition: Thione Diop – West African talking drum, Christos Govetas – Greek clarinet, Srivani Jade – North Indian vocals, Julio Jauregui – Latin American piano and Thomas Marriott – American jazz trumpet. In Global Concertos each artist brings their individual voice to the B’shnorkestra to create a new “all world” sound.

B’shnorkestra:  Samantha Boshnack (trumpet/composer),  Chris Credit & Kevin Nortness (woodwinds), Alex Guy & Paris Hurley (violin), Brianna Atwell (viola), Maria Scherer Wilson & Daniel Mullikin (cello), Tim Carey & Carmen Rothwell (bass), Adam Kozie & Greg Campbell (drums/percussion), Ivan Galvez (congas/percussion), Joshua Kohl (conductor)

Global Concertos Concerts

August 20, 2016

B’shnorkestra returns this fall with two shows featuring the Global Concertos project and more.

Monday, October 24, 8pm
Part of the Earshot Jazz Festival, co-presented with Cornish Presents
PONCHO Concert Hall, Cornish College
710 E Roy St, Seattle
Buy Tickets

Tuesday November 1, 7 pm
Presented by Classical Tuesdays in Old Town
Slavonian Hall
2306 N 30th Street, Old Town Tacoma

There will be a limited edition, pre-release CD of the premiere performance of Global Concertos for sale at these concerts. This recording was recorded by Tom Fallat and Paurl Walsh, mixed by Evan Schiller and mastered by Ed Brooks.
Global Concertos is also available for pre-order on Bandcamp and iTunes

Global Concertos is five new compositions, each showcasing a guest soloist’s instrument and tradition: Thione Diop – West African talking drum, Christos Govetas – Greek clarinet, Srivani Jade – North Indian vocals, Julio Jauregui – Latin American piano and Thomas Marriott – American jazz trumpet. In Global Concertos each artist brings their individual voice to the B’shnorkestra to create a new “all world” sound.

Read a Boshnack interview about the Global Concertos on Second Inversion

B’shnorkestra line-up for fall shows will be:
 Joshua Kohl conductor
Samantha Boshnack trumpets
Chris Credit & Kevin Nortness woodwinds
Alex Guy & Alina To violins
Brianna Atwell viola
Maria Scherer Wilson & Daniel Mullikin cellos
Tim Carey & Scott Teske upright basses
Adam Kozie & Greg Campbell drums/percussion
Lalo Bello congas

Concerto for Talking Drum featuring Thione Diop

Concerto for Jazz Trumpet featuring Thomas Marriott

Concerto for Christos featuring Christos Govetas

Prarthona featuring Srivani Jade

Concerto for Julio featuring Julio Jauregui


Video by Ian Lucero – http://www.ianlucero.com
Global Concertos was made possible with funding from New Music USA, 4Culture, and the Seattle Office of Arts and Culture.

B’shnorkestra Premieres Global Concertos May 9, 2015

February 24, 2015

Bshnorkestra Global Concertos

Saturday, May 9, 2015 – 8pm

Langston Hughes Performing Arts Institute
104 17th Avenue South, Seattle

$5-15 suggested donation / All Ages
Buy Tickets: http://globalconcertos.brownpapertickets.com

Facebook Event Page

Open dress rehearsal with Q & A: May 8 – 8pm

Composer Samantha Boshnack and her B’shnorkestra (a 14-piece alternative chamber orchestra) premiere Global Concertos: an evening of new music featuring an international tour de force of soloists.

Boshnack has written five new works, each showcasing a guest soloist’s instrument and tradition: Thione Diop – West African talking drum, Christos Govetas – Greek clarinet, Srivani Jade – North Indian vocals, Julio Jauregui – Latin American piano and Thomas Marriott – American jazz trumpet. In Global Concertos each artist brings their individual voice to the B’shnorkestra to create a new “all world” sound.

Global Concertos was made possible, in part by funding from New Music USA, 4Culture and Seattle Office of Arts and Culture.


> learn more about Global Concertos and the featured soloists

>Global Concertos Project Page on New Music USA website

>B’shnorkestra Blog – follow progress of the project

B’shnorkestra Receives a New Music USA Grant!!

April 8, 2014

Global Concertos for Soloist and B’shnorkestra

A premiere of concertos for a diverse cast of guest soloists, promoting discourse between musical communities in the orchestral arena.

Sincere thanks to New Music USA for awarding B’shnorkestra a project grant! I’m honored to be a part of the new music community.